Yet, yet again.

new series built around the color white, moving away from the use of vivid metallic glaze to focus more closely on form and the relationship with clay

creates large-scale ceramic sculpture using hand-building techniques, engaging in a dialogue between the desire to perfect a shape and the resistance of clay, embracing transformations through repeated cycles of adding and removing clay

based in Shigaraki, Shiga Prefecture; first solo exhibition at PARCEL in 2022